Toadies, 'Feeler' (Kirtland)

Post-grunge warhorses try to revive '90s spirit

You've been touring nonstop in support of your first new album in seven years. What do you do next?

The Divine Comedy, 'Bang Goes the Knighthood' (Divine Comedy)

Baroque-pop maestro's quips stay jaunty, cutting

Three decades and ten albums into a stealth career as one of pop's greatest unsung tunesmiths, Neil Hannon keeps the in -- a -- perfect -- world hits coming. This time, he fixes his decidedly non -- rocking melodic swoon and urbane wit on recessions both financial and romantic, politicians' sex scandals, as well as the disconnections among commuters wearing earphones.

Devo, 'Something for Everybody' (Warner Bros.)

Instead of devolving, synth punks refuse to die

On their first album in 20 years, the spud boys return to show dancey electro-pop pretenders how it's done -- syn-drums and all. While name producers Greg Kurstin (Lily Allen, Sia) and Santi White add a thoroughly postmodern sheen to songs that reference Tased bros and Obama's challenges, others like "Mind Games" and "Later Is Now" seem cryogenically preserved from 1982.

The Divine Comedy, 'Bang Goes the Knighthood' (Divine Comedy)

Baroque-pop maestro's quips stay jaunty, cutting

Three decades and ten albums into a stealth career as one of pop's greatest unsung tunesmiths, Neil Hannon keeps the in-a-perfect-world hits coming. This time, he fixes his decidedly non-rocking melodic swoon and urbane wit on recessions both financial and romantic, politicians' sex scandals, as well as the disconnections among commuters wearing earphones.

Danko Jones, 'Below the Belt' (Bad Taste/Caroline)

Cock rock that'd make even your mom snicker.

Expect nothing resembling subtlety on this Toronto trio's latest batch of retribution anthems -- all brutal punch-pop riffing, rumble-gut bass, and accusatory posturing. But despite his exaggerated bluster, their namesake singer-

Walter Schreifels, 'An Open Letter to the Scene' (Academy Fight Song)

Big Apple punk hero on life outside the pit.

With his surprising solo debut, this hardcore and alt-rock vet (Gorilla Biscuits, Quicksand, Rival Schools) nods in the direction of his last band, Walking Concert, offering low-key, mostly acoustic reveries, highlighted by his keening, vulnerable tenor.

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