September 1987

In celebration of our 20th anniversary, we present the first of a series of columns examining the past two decades as depicted in Spin.

There are three ways to remember the not-so-distant past. The first is to remember how things actually were, which almost no one does. The second is to remember things the way we assume they must have been, which basically equates to making up plausible stories that (a) don't directly involve us and (b) are potentially true.

Building a Broken Heart

Flush with love, money, and a new major-label album, Death Cab for Cutie's Ben Gibbard is no longer the saddest guy in indie rock. And now that his OC-approved cult band is rubbing shoulders with famous guys named Bruce, will their fans still recognize them? EXCLUSIVE! Go behind the scenes on Death Cab's Spin cover shoot!

Cover photograph by Michael Lavine

The New Pornographers, 'Twin Cinema' (Matador)

Can music be a conversation? The New Pornographers discuss.

Transplants, 'Haunted Cities' (La Salle/Atlantic)

Rap-rock supergroup: not so wicked gangsta.

While Transplants' self-titled debut caught the trio at that moment when the third-beer buzz kicks in, resulting in some boozy jollity and spirited yo-bro party chants, the new record seems to have picked up several pints and bong hits later, when shit starts to get grisly.

Sons and Daughters, 'The Repulsion Box' (Domino)

Scottish murder ballads in the key of "Aieeeee!"

Dead Ringers

Two controversial new movies try to replicate the spirit of rock'n'roll, but at heart, they're just fakes.

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